Telemann Recycled // live score performance - Jarek Kordaczuk
Score created and played live. Graphic processing of musical scores. Record-based improvisation. Playing live from the graphic score. Telemann\'s compositions in an experimental approach, compilation.

Telemann Recycled Performative concert for violinist and composer Aureliusz Goliński - violin Jarek Kordaczuk - live score Commission: Sonokinetic Event Factory Live score Telemann RecycledPerformative piece for violinist and composerAureliusz Goliński - violinJarek Kordaczuk - live scorePremiereDecember 29, 2019Olsztyn Puppet TheaterSonokinetic Event Factory  The performance uses copies of manuscripts of Fantasia No. 1 and Fantasia No. 9 for solo violin by Georg Philipp Telemann. The piece in its sound substance is based on the Fantasia for solo violin by Georg Philipp Telemann written down in the form of a manuscript. It could mean that the performers want to be as close as possible to Telemann's original musical thought. However, their performative actions reminiscent of the recycling process, lead to significant alteration to the form of the original compositions...   Significant enough that they put into question not only the identity of the work, but also the degree of kinship of the "resulting product" with the original material intended for "recovery". In everyday life, such nuances are used for insignificant, enjoying the fact that the old substance has a new life. Let's check if it also works in music.   Sonokinetic Event Factory Izabela Kościesza Sonokinetic works Małgosia Wawruk Sensor matrix Experimental music Installations Coral music Solo pieces Improvised music Acousmatic music Electronic Music Monoctone Pieces for children Jarek Kordaczuk mp3 Dark Energy Agnieszka Kołodyńska Pantomime Electroacoustic music Vocal-instrumental music Instrumental Music Musical interpretations of fairy tales Compositions Adam Smoczyński Sacred Music EWI ProForma Theatrical music Jan Brzechwa Julian Tuwim Sebastian Wypych Poetic song Sung poetry Jarosław Kordaczuk Arrangements Videoclips Animations Titelituralia Onomatopeic compositions Theatre of Sound A Room Full of Fairy Tales Children's Art Centre Cezary Konrad Krzysztof Herdzin Basia Raduszkiewicz Music for children

Polski
Jarek Kordaczuk
All projects
All projects
Children's Art CentreInstrumental Music
MonoctoneVocal-instrumental music
Musical interpretations of fairy talesTheatrical music
Acousmatic musicPoetic song
Music for childrenTheatre of Sound
Experimental musicPieces for children
Electroacoustic musicOnomatopeic compositions
Improvised musicSonokinetic works

Telemann Recycled

Performative concert for violinist and composer

Aureliusz Goliński - violin
Jarek Kordaczuk - live score

Commission: Sonokinetic Event Factory


Telemann Recycled
Live score preformance

Aureliusz Goliński - violin
Jarek Kordaczuk - live score

The performance uses copies of manuscripts of Fantasia No. 1 and Fantasia No. 9 for solo violin by Georg Philipp Telemann.

Performed at Olsztyński Teatr Lalek (Puppet Theatre of Olsztyn)
December 29, 2019
Telemann Recycled
Performative piece for violinist and composer

Aureliusz Goliński - violin
Jarek Kordaczuk - live score

Premiere
December 29, 2019
Olsztyn Puppet Theater
Sonokinetic Event Factory
 


The performance uses copies of manuscripts of Fantasia No. 1 and Fantasia No. 9 for solo violin by Georg Philipp Telemann.

The piece in its sound substance is based on the Fantasia for solo violin by Georg Philipp Telemann written down in the form of a manuscript. It could mean that the performers want to be as close as possible to Telemann's original musical thought. However, their performative actions reminiscent of the recycling process, lead to significant alteration to the form of the original compositions...
 

Significant enough that they put into question not only the identity of the work, but also the degree of kinship of the "resulting product" with the original material intended for "recovery". In everyday life, such nuances are used for insignificant, enjoying the fact that the old substance has a new life. Let's check if it also works in music.